Audio Wiki
Randy Coppinger
Audio Craftsman: Microphones, Recording, Mixing
My website including links to other stuff I'm doing.
How to Properly Roll Cable - A must see for anyone in media production
Hot Rod 57 - Modifying stock sm57s for fun and sonics
Ribbon Mic Workshop - My notes from the AES LA Section Ribbon Mic Workshop
Ribbon Mic Resources - Index of links for those who want to know more about ribbon mikes
Acoustic Guitar Mic Shootout - 14 mikes: 1 ribbon, 4 small condensers, 3 large condensers, 6 moving coil
Djembe Percussion Mic Shootout
13 mikes on top: 2 ribbons, 2 small condensers, 6 large condensers, 4 moving coil
13 mikes on bottom: 2 ribbons, 6 large condensers, 5 moving coil
Snare Mic Shootout
23 spot mikes: 17 moving coil, 4 condensers, 2 dual element (1 moving coil + 1 condenser in the same housing)
How To Record and Mix Kick Drum
Sound for Picture: Picture Reference Specifications
129th AES Convention - San Francisco
T2 - EQ - Alex U. Case
B3 - Lip Sync Issue - panel
W5 - How Does It Sound Now? - panel
T9 - Damping Low Frequency Acoustics - Reza Kashani
Social Media - Bobby Owsinski
Phase - What do we mean?
Audio recording and mixing with multiple channels and speakers
Index
What Is Stereo?
Mono vs. Stereo
Phantom Center
Realism vs. Fantasy
Intro to Human Hearing
Ears + Head
Space
Depth
The Cocktail Party Effect
Correlation
Listening On Speakers
Listening on Headphones
Binaural Recording and Listening
Delay
Panned Mono
True Stereo
Comb Filtering
Stereo Mic Arrays
Spaced
Coincident
Near Coincident
Baffled
Operational Limits for Mic Arrays
Hybrid Arrays
Critical Distance
Microphones
Music and Acoustics
Recording Large Subjects in Large Spaces
Recording Small Subjects in Small Rooms
Mix Effects for Stereo
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