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Page history last edited by Randy Coppinger 12 years, 7 months ago

Audio Wiki

Randy Coppinger

Audio Craftsman: Microphones, Recording, Mixing

My website including links to other stuff I'm doing.

 

How to Properly Roll Cable - A must see for anyone in media production

Hot Rod 57 - Modifying stock sm57s for fun and sonics

Ribbon Mic Workshop - My notes from the AES LA Section Ribbon Mic Workshop

Ribbon Mic Resources - Index of links for those who want to know more about ribbon mikes 

Acoustic Guitar Mic Shootout - 14 mikes: 1 ribbon, 4 small condensers, 3 large condensers, 6 moving coil 

Djembe Percussion Mic Shootout  

13 mikes on top: 2 ribbons, 2 small condensers, 6 large condensers, 4 moving coil

13 mikes on bottom: 2 ribbons, 6 large condensers, 5 moving coil

Snare Mic Shootout

23 spot mikes: 17 moving coil, 4 condensers, 2 dual element (1 moving coil + 1 condenser in the same housing)

How To Record and Mix Kick Drum

Sound for Picture: Picture Reference Specifications

129th AES Convention - San Francisco

  T2 - EQ - Alex U. Case

  B3 - Lip Sync Issue - panel

  W5 - How Does It Sound Now? - panel

  T9 - Damping Low Frequency Acoustics - Reza Kashani

  Social Media - Bobby Owsinski

Phase - What do we mean?

 

Stereo

Audio recording and mixing with multiple channels and speakers

Index

 

What Is Stereo? 

Mono vs. Stereo

  Phantom Center 

 

Realism vs. Fantasy

 

Intro to Human Hearing

  Ears + Head

  Space

  Depth

 

The Cocktail Party Effect

Correlation

Listening On Speakers

Listening on Headphones

Binaural Recording and Listening

 

Delay

Panned Mono

True Stereo

Comb Filtering

 

Stereo Mic Arrays

  Spaced

  Coincident

  Near Coincident

  Baffled

 

Operational Limits for Mic Arrays

Hybrid Arrays

Critical Distance

Microphones

Music and Acoustics

Recording Large Subjects in Large Spaces

Recording Small Subjects in Small Rooms

Mix Effects for Stereo

 

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